Between the early seventeenth and the mid-nineteenth century, the field of natural history in Japan separated itself from the discipline of medicine, produced knowledge that questioned the traditional religious and philosophical understandings of the world, developed into a system (called honzogaku) that rivaled Western science in complexity—and then seemingly disappeared. Or d...(展开全部)

Between the early seventeenth and the mid-nineteenth century, the field of natural history in Japan separated itself from the discipline of medicine, produced knowledge that questioned the traditional religious and philosophical understandings of the world, developed into a system (called honzogaku) that rivaled Western science in complexity—and then seemingly disappeared. Or d...(展开全部)

Between the early seventeenth and the mid-nineteenth century, the field of natural history in Japan separated itself from the discipline of medicine, produced knowledge that questioned the traditional religious and philosophical understandings of the world, developed into a system (called honzogaku) that rivaled Western science in complexity—and then seemingly disappeared. Or d...(展开全部)

Between the early seventeenth and the mid-nineteenth century, the field of natural history in Japan separated itself from the discipline of medicine, produced knowledge that questioned the traditional religious and philosophical understandings of the world, developed into a system (called honzogaku) that rivaled Western science in complexity—and then seemingly disappeared. Or d...(展开全部)

In "The Nature of the Book," a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas--commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lie...(展开全部)

This text takes a look at early modern England and the creative and commercial forces in which print culture was formed and its many arenas - commercial, intellectual, political and individual. It includes detailed information on booksellers shops, the Royal Society, paper manufactories and type foundaries. Also featured are replications of the bitter disputes between authors a...(展开全部)

In "The Nature of the Book," a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas--commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lie...(展开全部)

An unusual collaboration among distinguished art historians and historians of science, this book demonstrates how printmakers of the Northern Renaissance, far from merely illustrating the ideas of others, contributed to scientific investigations of their time. Hans Holbein, for instance, worked with cosmographers and instrument makers on some of the earliest sundial manuals pub...(展开全部)

The standard philosophical project of analysing the concept of knowledge has radical defects in its arbitrary restriction of the subject matter, and in its risky theoretical presuppositions. Edward Craig suggests a more illuminating approach, akin to the 'state of nature' method found in political theory, which builds up the concept from a hypothesis about the social function o...(展开全部)

Empires of Knowledge charts the emergence of different kinds of scientific networks - local and long-distance, informal and institutional, religious and secular - between the fifteenth and the eighteenth centuries as one of the important phenomena of the early modern world. It seeks to answer what role these networks played in making knowledge, how information traveled, how was...(展开全部)